Four situations successively unfold and it is only acceleration which makes it possible to find movement again. A doubt lingers between the two extremities of the film. How movement is broken into parts presupposes a return to what is elemental, i.e. photography. Acceleration suggests the rediscovery of a fluid, deconstructed reality.
Anna Vasof
Technical sheet
PARALLELE SCREEN - AH, LA MUSIQUE !
Austria 2016 Colour HD 7′
