SIMULACRO

The camera slowly pans through empty streets in negative shots, with white on black cutaways of a residential area called New Madrid. Based on that, Natalia Marín, of Los Hijos collective, exposes, analyses and unties (Baudrillard or Calvino on her mind), the links between utopia, political projection and the reality of the making of urbanity as an acme of sham. (NF)