Two stories are interconnected in this brief yet splendid film, without ever
being sure to understand exactly what properly belongs to one or the other, as the flexibility of Julia Pello’s art consists in erecting glissando as a filmmaking technique. We cannot help but grasp that it is about dealing with the past, that of native Americans in particular, but also in a broader sense History and nature: the very existence. (J.P.R.)
Julia Pello
