Obscuro Barroco
A film about the dizzying heights of gender and metamorphosis and also, a film tribute to
a land of extremes, the city of Rio de Janeiro. Following the journey of the iconic transexual
figure Luana Muniz (1961-2017), the film explores various quests for the self through crossdressing, carnival and political struggle. It questions the wish to transform the intimate and social body.
Evangelina Kranioti
Director
Official Selection
In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons...
En savoir +
Minia Biabiany’s work (films, installations, sculptures) is informed by her experience as a Guadeloupean woman, she is unapologetic about her work being inseparable from her homeland. Here, water...
En savoir +"Obsada" means "film crew" in Polish, but can also mean "task force". The crew here is dual purpose. First the film crew, in front of and behind the camera, who are all women – art and film...
En savoir +Divided into three chapters, A General Disappointment is an existential meditation based on a text read through a series of long still frames. These stage the director Serge Garcia in everyday...
En savoir +Liv Schulman enjoys working with figures who become alter egos of sorts. After the investigator in her metaphysical detective series Control, she introduces us to a new avatar. The point here is to...
En savoir +Continuing his research into European canon, its concepts, history and grey areas, (Daphne and Thomas, FID 2019), Assaf Gruber is our tour guide. Rude Witness – after Transient Witness- takes us in...
En savoir +La vie des hommes infâmes (The Life of Infamous Men) was the project for a book that never saw the light of day but for which Michel Foucault wrote a preface. He wanted to collect the written...
En savoir +Hushed voices announce a girl’s death. Kneeling around the corpse, the teenage girls stare at her. Again, they whisper, chanting in unison “light as a feather, stiff as a board”, a magic...
En savoir +In Spilliaert, we joyfully rediscover a taste for the interwoven mix of genres that captivated us in N.P (FID 2020). Lisa Spilliaert uses the pretext of an investigation into her potentially shared...
En savoir +Danielle Arbid works at the heart of feelings, from one film to the next, the most recent Simple Passion (2021) based on Annie Ernaux embodies the quintessence of this. Less well-known is a more...
En savoir +