Festival 2021
Yu Araki

HONEYMOON

Japan / 2021 / 29’
World Premiere

Yu Araki
A traditional Japanese home, filmed in frontal frames, in the style of Ozu. As a
soundtrack, the Apollo 11 moon landing archives. A Japanese commentator takes
over and announces the forthcoming programme: the real-time two-person
commentary of a wedding ceremony on the Nagasaki moon base. Why Nagasaki?
Because Puccini set the wedding of American officer Pinkerton and geisha
Cio-Cio there in the first act of Madama Butterfly, and because Honeymoon
is an exuberant and explosive variation on this opera. Why the moon? Because
this filmic bomb is literally science-fiction, and because space-time distance
sharpens the eye for the experience to come. Via an analysis of the ceremony
as a tableau vivant, the experience consists in a both highbrow and crazy
deconstruction of “Japanism”, namely the fascination of 19th to early 20th-century
Europe with Japan. Yu Araki replaces Puccini’s original husband and marriage
officiant with two Japanophile historical figures: eccentric photographer Adolf de
Meyer and American anthropologist Frederick Starr. Ethnology, etymology, history,
onomastics: as the people in the tv control room explain the tableau vivant in
details, the dialogued commentary turns into encyclopaedic frenzy, exegetical
wirework. The core of this deconstructivist experience is the seiza, that is to say
the formal way of kneeling on the floor, a mandatory if slightly uncomfortable
position in ceremonies. When the characters finally stand up, their stiffened walk
reminds us of that of Apollo 11 explorer astronauts. The film ends with this brilliant
idea, this zero-gravity ending to a film which combines the invention of minimalist
burlesque with the most generous sharing of intelligence and knowledge.
(Cyril Neyrat)

Technical sheet

Original Version : Japonese.
Subtitles : English.
Script : Yu Araki.
Photography : Kenichi Negishi.
Editing : Yu Araki.
Sound : Ichiro Fujimoto.
Casting : Taro Nettleton, Qinhua Yang, Jack Mclean, Kosuke Matsunobu, Toshiaki Hicosaka, Tomoko Inoue. Production : Nami Yamabana (Pola Museum of Art).
Filmography : Fuel, 2019. Mountain Plain Mountain, 2018. Wrong Revision, 2018. Bivalvia: Act I, 2017. Road Movie, 2014. Angelo Lives, 2014. 971 Horses + 4 Zebras, 2007.

INTERVIEW WITH THE DIRECTOR

Director

Yu Araki

Festival

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