When the night comes, we leave the noise of the city for the deafening silence of the forest. There, the vast spaces fade away to give birth to a sound intimacy, between the bodies and the music. Or how to improve some sounds we may only hear this far.
Between different spaces delimited by sound, this essay relies on an auditive narration and tries to put the spectator facing off one type of «functionnal» mu- sic: techno music. A music written to be danced on and experienced by the body beyond the listenning.Eliot Ratinaud