The FIDBack

The festival's parties

FROM JUNE 26TH TO JUNE 30TH | BLUM BRASSERIE | 10PM-2AM

Address: 125 La Canebière, 13001 Marseille

Every night, from 10pm, just before the end of the days’  final screenings, the BLUM space is transformed into  a dance floor, with DJ sets by FIDMarseille guest artists and filmmakers, as well as professional DJs from Marseilles.

The line up

Wednesday 26th, June
From 10:30pm to 12am: Samir Ramdani
From 12am to 1:30am: Francky La Night (DJ from Marseille)

Thursday 27th, June
From 10:20pm to 1:30am: Bison Bison (Rémi Chiarel) + Léo Zeggaï

Friday 28th, June
From 10:30pm to 12am: DJ ssefyou aka Phoenix Atala
From 12am to 1:30am: Bison Bison (Rémi Chiarel)

Saturday 29th, June
From 10:30pm to 11:45pm: Christian Von Borries
From 11pm to 1:30am: Kaplan

Sunday 30th, June – closing day
From 10:30pm to 1:30am: Pola Soa (DJ marseillaise)

The DJs

BISON BISON
Native to the Camargue, Bison Bison is a highly migratory bird. Its range extends from the vast plains of the American West to the high plateaus of the Far East… The animal feeds exclusively on nuggets, from punk, post rock and electro to the roots of ancestral music…

LEO ZEGGAÏ
Leo Zeggaï is a DJ, researcher, selector and producer for “Sid Elmachhour” on London-based radio Balamii, as well as a part of the Paris-based collective “Sancho & Pancho Radio”. He loves Rai, Baile Funk, Batida, R&B and Kompa. Anything with raw synthesized voices, repetitions, breaks and deep basses or singalong melodies and slow hip movements.

DJ SSEFYOU AKA PHOENIX ATALA
Hip hop Us, arabic Hip Hop, arabic electro, chaabi, afrobeats, amapiano, coupé décalé, reggaeton, riddim

CHRISTIAN VON BORRIES
Pop, electro, rap, techno

KAPLAN
Eclectic as ever, Kaplan uses every influence to get your hips moving on the dancefloor. From funk to hip hop, trap to house, oriental and African music mixed with electronic rhythms, you’re sure to find your groove. Kaplan, music of many moods!

POLA SOA
Pola (Facettes) has been criss-crossing the vinyl world with her 45s for 2 decades.
Now she’s taking a sunny, all-digital turn for sessions that are as playful and sporty as ever. Her salto begins with a tour of the Mediterranean, then crosses over to oriental sounds as hot as the desert, and pauses in West Africa to set the (dance) floor ablaze. A crossing of the Indian Ocean takes us to the sound of Maloya, before ending in a trance of Malagasy dust, with a Salegy that takes a hip out. By the end, we’re wondering how we got there. Pola uses her Malagasy name to take you on a journey, to tell you about a return to our roots, a thirst for elsewhere, a musical migration. Over there, it’s good and sweaty.