Romain Ozanne works as a re-recording mixer and a sound editor since 2014. He followed an academical and technical education, first following an intensive foundation degree at Ciné Sup in Nantes, then at the University Paris III and at the Louis Lumière school in Paris.
He developed an interest in sound very early, which actually evolved from his passion for music. His encounter with cinema comes later, after high school, as he realizes how sensitive and political the gaze of the films could be.
Another inspiration that sparked his interest for sound comes from Tariq Teguia or Apichatpong Weerasethakul work, with the richness of their aesthetic propositions and their work on sound dynamics. Romain Ozanne is interested both in the complex sound design brought by fiction, and in the more immediate set ups that documentaries can allow. His work touches upon various economical environments, with special attention to design created through location sound. He strongly supports independent cinema in all its diversity and forms.
He now lives in the Pyrénées Mountains, in the Nouvelle-Aquitaine region.
Notably, he worked with Maxime Martinot Trois contes de Borges (2014), Le sentier des Asphodèles (2023), Nicolas Peduzzi Ghost Song (2021), Camille Degeye Journey Through a Body (2019), Almost a Kiss (2022), Dominique Marchais La Rivière (2023), and more recently with Qiu Yang Some Rain Must Fall (2024), Antoine Vazquez Pédale Rurale (2022) or Payal Kapadia A Night of Knowing Nothing (2021), All we Imagine as Light (2024).
