Fidback
Fidback is an annual film review published by FIDMarseille. Each issue forms a constellation-image of the cinema seen over the past year. One image among a multitude of possibilities. A constellation, because it is up to the reader to create the image by drawing connections between the films and between the texts.
About the films of Pierre Creton & Vincent Barré ; Ghassan Salhab ; Lilith Kraxner & Milena Czernovsky ; Isabelle Prim ; Tahar Kessi ; Mariano Llinás ; Albert Serra ; Miguel Gomes ; Alain Guiraudie ; Chantal Akerman ; Bridgett Davis ; Jia Zhangke ; Victor Iriarte ; Pauline Curnier Jardin ; Declan Clarke
From around ten selected films, enriched by texts, interviews, documents, and previously unpublished materials, each issue will create an image of the kind of cinema championed by FIDMarseille: the unexpected image of an adventurous cinema.
One, two, many
Collection de livres
Launched in 2023 with Les Éditions de l’Œil, “One, Two, Many” is a collection dedicated to the filmmakers and artists featured in retrospectives and tributes at FIDMarseille: vibrant, collective books that embrace diverse forms and voices - critical essays, archival documents, texts by the filmmakers themselves, and, above all, their words at the heart of it all.
With writings by: Radu Jude, Marianne Dautrey, Andrei Gorzo et Veronica Lazăr, Mathieu Macheret, Victor Morozov, Gaëlle Obiégly et Pierre Weiss, Judith Revault d’Allonnes, Louise Rinaldi, João Pedro Rodrigues, and a long interview with Radu Jude by Cyril Neyrat.
Co-published with Éditions de l’Œil, in partnership with the Centre Pompidou
Other books in the collection
From Ingrid Caven’s start in cinema alongside Rainer Werner Fassbinder and the myriad extraordinary roles that followed, to her theatre performances and legendary concerts, the German actress and singer has been a force of inspiration and a vital collaborator for artists across five decades.
From his first film in 1961, Les Petits Drames (lost), to his last, Bonjour la langue (2022), Paul Vecchiali built a « bigger than life » body of work that made him one of France’s greatest filmmakers.
Whit Stillman is an American filmmaker. He is the author of five films that have profoundly renewed the comedy genre: Metropolitan (1990), Barcelona (1994), The Last Days of Disco (1998), Damsels in Distress (2011), and Love & Friendship (2016).