Avant Que Ne Se Fixe, Avant Que Ne Se Fixe

Fabrice Lauterjung knows that films are knit through sound as much as with images, and consist of their interlacings. Loyal to his usual rigor, from a poem by Eric Suchère, who juggles himself with the hypothesis of movement and stasis, of momentum and pause, Lauterjung calculates a rhythmicized cinema, the sovereign equivalent of the text’s work, authorizing and provoking a cheerful mix of austerity as much as speed. (JPR)