International Competition Award
Awarded by the International Competition Jury.
Amount: €8,000 and an Air France long-haul ticket to be booked before December 31, 2022.
Georges de Beauregard International Award
Awarded to a film in the International Competition.
The award is donated in kind by Vidéo de poche in the form of €7,000 worth of post-production services.
Chantal de Beauregard created the Georges de Beauregard Prize in 1985 in memory of her father, the producer Georges de Beauregard. She chose to integrate it into the FID, as Marseille was the birthplace of Georges de Beauregard and his maternal family. The FID therefore launched the Georges de Beauregard Award in 2001.
Born in the Saint Jérôme district of Marseille, Georges de Beauregard produced short, medium and feature-length films, some of which can be considered “documents of history and time,” such as La passe du diable, based on the work of Jean Pierre Kessel and shot in Afghanistan in 1957, Pierre Schoendorffer’s first feature film, Jean Luc Godard’s Le petit soldat (The Little Soldier) about the Algerian War (1960), and films such as A bout de Souffle (Breathless), Cléo de 5 à 7 (Cleo from 5 to 7) and Pierrot le fou (Pierrot the Madman).
French Competition Award
Awarded by the French Competition Jury. Amount: €5,000.
Georges de Beauregard National Award
Awarded to a film in the International Competition.
The award is donated in kind by Vidéo de poche in the form of €7,000 worth of post-production services.
Chantal de Beauregard created the Georges de Beauregard Prize in 1985 in memory of her father, the producer Georges de Beauregard. She chose to integrate it into the FID, as Marseille was the birthplace of Georges de Beauregard and his maternal family. The FID therefore launched the Georges de Beauregard Award in 2001.
Born in the Saint Jérôme district of Marseille, Georges de Beauregard produced short, medium and feature-length films, some of which can be considered “documents of history and time,” such as La passe du diable, based on the work of Jean Pierre Kessel and shot in Afghanistan in 1957, Pierre Schoendorffer’s first feature film, Jean Luc Godard’s Le petit soldat (The Little Soldier) about the Algerian War (1960), and films such as A bout de Souffle (Breathless), Cléo de 5 à 7 (Cleo from 5 to 7) and Pierrot le fou (Pierrot the Madman).
First award
Awarded by the First Award jury to a debut film in the Premier Competition.
The award is endowed by the Provence-Alpes-Côte-d’Azur Region with a sum of €3,000.
National Center for Visual Arts (Cnap) Award
Awarded by the Cnap jury to a film in the International, French, First, Flash, or GNCR Competition. The jury will focus on the experimental dimension or innovative nature of the film’s conception, its reflective power, and its ability to question the world and its representation.
The award is endowed by the CNAP with €4,000.
Flash Competition Award
Awarded by the Flash Competition Jury.
Amount: €2,000.
Alice Guy Award
Awarded to a female director participating in the Flash Competition. Created in memory of the world’s first female filmmaker, Alice Guy, to promote the work of female directors.
Alice Guy is the name of the world’s first female filmmaker, forgotten despite a prestigious and prolific career. Created in her memory in 2018, the Alice Guy Award aims to promote the work of female directors by rewarding a feature film by one of them. The FID Alice Guy Award, launched in 2020, will be awarded by the Flash jury to a film by a female director participating in the Flash Competition.
The award is endowed by the Ministry of Culture with a prize of €1,500.
Renaud Victor Award
Awarded as part of a project with the Marseille Penitentiary Center, Les Baumettes.
A selection of films is presented to a volunteer audience of inmates, who can become members of the jury.
The prize is awarded by the CNC as part of a rights purchase for the Images de la Culture catalog, worth €5,000.
Renaud Victor (1946-1991) Filmmaker and actor, he worked extensively on autism with Fernand Deligny and directed Ce gamin là (1975) and Fernand Deligny, a propos d’un film à faire (1989). His last film, De jour comme de nuit (1991), is a two-year immersion into daily life at the Baumettes prison. Joseph Cesarini and Caroline Caccavale (directors/founders of Lieux Fictifs) collaborated on the film. Their meeting with Renaud Victor would prove decisive in the work they would undertake on the image in prison at the Marseille Penitentiary Center.