Rêvent-Elles de Robots Astronautes ?, Rêvent-Elles de Robots Astronautes ?

In the introduction, the voices in musics by Agnès Noël and the colors in images shot by Sarah Del Pino are probably the last traces of humanity before entering this automated farm. May it be that the film itself is edited material from shots taken by monitoring and surveillance cameras ? When an animal’s eye faces the lens, should the machine reshuffle roles altogether ? Rural-fiction.