La Lucarne des Rêves, La Lucarne des Rêves

The opening shots introduce a journey through the origins of musique concrète to the most recent musical forms. Without neglecting this itinerary, illustrated by a few germane examples, Cendrine Robelin’s film addresses a tougher question: “How exactly do you catch a sound fantasy ?”. The instructions for this are less visible than the bunch of individuals, most of whom are composers, that are making some attempts which are in their own eyes more or less satisfactory.