FIDLab (en)

All the Renaults in the World

Declan Clarke

MMXX

Cristi Puiu

As Estações

Maureen Fazendeiro

Twittering Soul

Deimantas Narkevičius

Tehran, city of ambitions
(Tehran, Shahr e Arezouha)

Swarm

Spilliaert

Lisa Spilliaert

FOREMOST BY NIGHT
Reescritura

Víctor Iriarte

Nunca seré policía
(I’ll never be a cop)

Morir de pie
(To die on your feet)

La cascadeure : La chute de l’Île Mona
(The stuntwoman)

Jeune cinéma

Yves-Marie Mahé

Estados generales

It is at this point that the need to write history arises
(E’ a questo punto che nasce il bisogno di fare storia)

Dialogues d’exilés
(Dialogues of exile)

Eyal Sivan

Bogancloch

Ben Rivers

Ana no quiere que la vean bailar
(Ana doesn’t want to be seen dancing)

Gabriel Herrera Torres

Dead Lands
(Adamot Metot)

Daniel Mann

A night of knowing nothing

Payal Kapadia

Wabik
(Tracking satyrs)

Ollin Blood

La vie des hommes infâmes
(Infamous men’s life)

A Portrait

Sofia Bohdanowicz

Unrueh
(Unrest)

Cyril Schäublin

THE SIGNAL LINE
(The Targets)

Myriam Lefkowitz & Simon Ripoll-Hurier

The Open

Mudos Testigos
(Silent Witnesses)

Luis Ospina

AN UNUSUAL SUMMER

Kamal Aljafari

La Camera dei Genitori
(The Parents’ Room)

Diego Marcon

Incandescences

Human Flowers of Flesh

Helena Wittmann

Heart of Light

Far Away Eyes

Chun-Hong Wang

Esqui
(Ski)

Manque La Banca

PUISQUE TOUT COMMENCE
(Demain est annulé)

Gabrielle Le Bayon

Archipel, 6852
(Archipelago, 6852)

¿ Duermen los peces con los ojos abiertos ?
(Do Fish Sleep with Their Eyes Open?)