Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

La volière, Long Call

Judith Auffray

80’

Long Call explores the history of the ties between humans and orangutans through the relationship between Nénette – one of the world’s oldest captive orangutans – and Chloé, a performer who studies and mimics the gestures of the great apes. Together, they move through a jungle that is part fantasy, part reality – a dreamlike space where past and present interweave. The encounters they make along the way, with characters from different eras - a nineteenth-century naturalist, a primatologist from the 1970s, a zookeeper and zoo visitors from today – guide them through space and time, to the heart of the turmoil that has shaped relations between humans and orangutans for centuries.

Director’s statement

For a few years now, I have been drawing orangutans at the Ménagerie in the Jardin des Plantes in Paris. I realised that there were other regular visitors too, whom the orangutans recognised and with whom relationships were forged despite the glass that separates them. One day, the former headkeeper of the zoo told me about his dream: to build a vast aviary-like enclosure containing a fragment of Borneo’s forest, where humans and orangutans could coexist. His dream of a shared space became the starting point of my film – a poetic and political way to explore interspecies relationships. Through digital visual technologies, I want to design this utopian “aviary”, free from the zoo’s system of separation and domination. A fictional territory where figures from the past reappear to question how science and colonialism have shaped our relationship with Nature – a legacy still present in zoos and conservation narratives. A dreamlike space to imagine new ways of cohabiting, placing at the heart of interactions mystery, vulnerability, and the unsettling nature of our relationships with the orangutan, a tension that has characterised them for centuries. I want cinema to inhabit this very strangeness – shifting the anthropocentric gaze and questioning how we coexist with other forms of life.

Technical sheet

  • Production:
    Macalube Films (Anne-Catherine Witt : macalubefilms@gmail.com)
  • Budget:
    591 009 €
  • Acquired budget:
    36 009 €
  • Funds:
    CNAP Image/Mouvement (Development support)
  • Shooting country:
    France