International Competition Award: FUCK THE POLIS by Rita Azevedo Gomes

Georges de Beauregard International Award: FRÍO METAL by Clemente Castor

Special mention of the International Competition Jury: COBRE by Nicolás Pereda

French Competition Award: BONNE JOURNÉE by Pauline Bastard

Georges de Beauregard National Award: HORS-CHAMP, LES OMBRES by Anna Dubosc, Gustavo de Mattos Jahn

Cnap (National Centre for Visual Arts) Award: DES MILLÉNAIRES D’ABSENCE by Philippe Rouy

Special mention of the Cnap (National Centre for Visual Arts) Jury: L’AMOUR SUR LE CHEMIN DES RONCETTES by Sophie Roger

First Film Award: FANTAISIE by Isabel Pagliai

Special mention of the First Film Competition Jury: LOS CRUCES by Julián Galay

Special mention of the First Film Competition Jury: SI NOUS HABITONS UN ÉCLAIR by Louise Chevillotte

Claudia Cardinale Foundation Award: FERNLICHT by Johanna Schorn Kalinsky

Cine+ Distribution support Award in partnership with GNCR: MORTE E VIDA MADALENA by Guto Parente

Flash Competition Award: گل‌های شب ِدریا by Maryam Tafakory

Special mention of the Flash Competition Jury: A PRELUDE by Wendelien van Oldenborgh

Special mention of the Flash Competition Jury: CONTROL ANATOMY by Mahmoud Alhaj

Special mention of the Flash Competition Jury: LENGUA MUERTA by José Jiménez

Alice Guy Award: ABORTION PARTY by Julia Mellen

Renaud Victor Award: BULAKNA by Leonor Noivo

Special mention of the Renaud Victor Jury: SI NOUS HABITONS UN ÉCLAIR by Louise Chevillotte

High School Award: NEXT LIFE by Tenzin Phuntsog

Special mention of the High School Jury: MIRACULOUS ACCIDENT by Assaf Gruber

The Second Chance School Award: NEXT LIFE by Tenzin Phuntsog

Special mention of the Second Chance School Jury: JACOB’S HOUSE by Lucas Kane

Audience Award: LA JUVENTUD ES UNA ISLA by Louise Ernandez

International Competition Award: FUCK THE POLIS by Rita Azevedo Gomes

Georges de Beauregard International Award: FRÍO METAL by Clemente Castor

Special mention of the International Competition Jury: COBRE by Nicolás Pereda

French Competition Award: BONNE JOURNÉE by Pauline Bastard

Georges de Beauregard National Award: HORS-CHAMP, LES OMBRES by Anna Dubosc, Gustavo de Mattos Jahn

Cnap (National Centre for Visual Arts) Award: DES MILLÉNAIRES D’ABSENCE by Philippe Rouy

Special mention of the Cnap (National Centre for Visual Arts) Jury: L’AMOUR SUR LE CHEMIN DES RONCETTES by Sophie Roger

First Film Award: FANTAISIE by Isabel Pagliai

Special mention of the First Film Competition Jury: LOS CRUCES by Julián Galay

Special mention of the First Film Competition Jury: SI NOUS HABITONS UN ÉCLAIR by Louise Chevillotte

Claudia Cardinale Foundation Award: FERNLICHT by Johanna Schorn Kalinsky

Cine+ Distribution support Award in partnership with GNCR: MORTE E VIDA MADALENA by Guto Parente

Flash Competition Award: گل‌های شب ِدریا by Maryam Tafakory

Special mention of the Flash Competition Jury: A PRELUDE by Wendelien van Oldenborgh

Special mention of the Flash Competition Jury: CONTROL ANATOMY by Mahmoud Alhaj

Special mention of the Flash Competition Jury: LENGUA MUERTA by José Jiménez

Alice Guy Award: ABORTION PARTY by Julia Mellen

Renaud Victor Award: BULAKNA by Leonor Noivo

Special mention of the Renaud Victor Jury: SI NOUS HABITONS UN ÉCLAIR by Louise Chevillotte

High School Award: NEXT LIFE by Tenzin Phuntsog

Special mention of the High School Jury: MIRACULOUS ACCIDENT by Assaf Gruber

The Second Chance School Award: NEXT LIFE by Tenzin Phuntsog

Special mention of the Second Chance School Jury: JACOB’S HOUSE by Lucas Kane

Audience Award: LA JUVENTUD ES UNA ISLA by Louise Ernandez

Daughters, Daughters

Sara Marić

Serbia, 2024, 22’

Synopsis

Nevena arrives to her family home in the countryside, where she is welcomed by her mother and grandmother. The time spent there brings unexpected changes — Nevena faces her grandmother’s aging, the relationship between mother and daughter is put to the test, and through the lens of her camera, Nevena tries to preserve tender moments and the last remaining memories.

Biography

Sara Marić

Sara Marić discovered her passion for cinema in high school through drama and film workshops. She is currently completing her third year of Film Directing at the Faculty of Dramatic Arts in Belgrade. Her work focuses primarily on family themes, often explored from the perspective of the main character, with a particular emphasis on internal conflicts. She also has a strong interest in documentary filmmaking and, this year, participated in the “Bistre Reke” documentary film camp as well as the screenwriting workshop at the Brač Film Festival.

School: Faculty of Dramatic Arts in Belgrade