Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

Daughters, Daughters

Sara Marić

Serbia, 2024, 22’

Synopsis

Nevena arrives to her family home in the countryside, where she is welcomed by her mother and grandmother. The time spent there brings unexpected changes — Nevena faces her grandmother’s aging, the relationship between mother and daughter is put to the test, and through the lens of her camera, Nevena tries to preserve tender moments and the last remaining memories.

Biography

Sara Marić

Sara Marić discovered her passion for cinema in high school through drama and film workshops. She is currently completing her third year of Film Directing at the Faculty of Dramatic Arts in Belgrade. Her work focuses primarily on family themes, often explored from the perspective of the main character, with a particular emphasis on internal conflicts. She also has a strong interest in documentary filmmaking and, this year, participated in the “Bistre Reke” documentary film camp as well as the screenwriting workshop at the Brač Film Festival.

School: Faculty of Dramatic Arts in Belgrade