What does ‘the sea’ evoke to you? What is blue? What about describing your loved ones? What happens to the world and beauty when we do not see or do not see anymore? On the sun blessed land that faces the sea, the French Riviera, fifteen people who ‘organize’ their perception without the sense of sight, share their visions. Various elements without hierar- chy build a plastic narrative. As the portraits of sensory experiences intermingle, the film suggests its suspended moments as space for aesthetic questioning.Jeunghae Yim