THICKER THAN PAINT THINNER

Hossein, a former drug addict with a personality disorder, took part in an arson
attack on a cinema in which almost 400 people died. This took place in Iran in 1979,
a few months before the Revolution, and was a delirious attempt to participate in
the uprising that was already underway. Once the new regime was in place, Hossein
pleaded guilty and asked to be judged and punished, but he was met only with
indifference, and the case was closed without any follow-up. What is more, the film
being projected in the cinema when it was set on fire dealt with the redemption of
a character called Seyyed, himself a former drug addict, who becomes a
revolutionary and is shot dead during a confrontation with police, thus making
amends for his past faults. In a very sober reconstruction, in the confinement of a
room where Hossein is faced with images of Seyyed on television, Afrassiabi Babak
uses the actual confessions of the pyromaniac and attempts to recreate the links
between the two characters (one is real, the other fictional, one is lost, the other
redeemed) in order to try to paint an unusual portrait of this moment in History which
every one of us is invited to enter. Sparing none of the complexities that such a
crazed cross-over inevitably produces, Babak presents a compact film of contracted
duration, without the thinner referred to in the title. (JPR)