THE INVISIBLE MOUNTAIN
Ben Russell continues his path and his rise to the summit with his latest work
inspired by René Daumal’s Mont Analogue, a remarkable text that seems to have
been written especially for him. From this literary source, we understand what
is read to us: a spiritual and collective quest involving the search for a mountain
that’s out of sight. Russell transposes this to his own filmmaking – condensing
all the meditative power into the image. La Montagne Invisible is a long Trypps
(the name of the short, experimental forms produced by B.R.) reconnecting with
the mysteries of transcendence and psychedelic pleasures. Russel creates a
structure that weaves between a portrait gallery (of touring musicians) and the
solitary roaming of a man who sets off to hunt down the fleeting apparitions of the
invisible mountain. The lanky figure is filmed from behind in a dolly shot following
in the wake of his strides. Come As You Are is the legendary track that opens this
film as we savour the scratchy guitars and the layers of sound that make the faces
and landscapes elastic. Russell warps space and time, using sliding and circular
movements around the faces he films. Although as he progresses, the character
crosses varied landscapes, we experience an immobile journey. The “elsewhere”
is primarily in the filmmaking, which the director inhabits by moving to the other
side of the camera (with the complicity of Ben Rivers), forming an unexpected
tandem with his character – a fusion of the imaginary territory of the spiritual
quest and the making of the movie. The vastest wilderness and the highest peaks
are those within. Finding them requires that we recognise the passages and doors.
Music is one of those doors, and Russell’s hallucinatory visions offer us a dazzling
cinematographic translation of its perceptible possibilities. Ben Russell’s “mont
analogue” is music made into an image, the analogue film of music. (Claire Lasolle)
Original Version : English, Finnish.
Subtitles : English.
Script : Ben Russell.
Photography : Ben Russell, Ben Rivers, Chris Fawcett.
Editing : Ben Russell.
Sound : Nicolas Becker, Rob Walker, Jakov Munizaba.
Production : Christos V. Konstantakopoulos (Faliro House Productions), Ben Russell (VSBL MTN).
Filmography : Color-Blind, 2019. The Rare Event, 2018. Good Luck, 2017. He Who Eats Children, 2016. YOLO, 2015. Greetings to the Ancestors, 2015. Atlantis, 2014. A Spell to Ward off the Darkness, 2013. Let Us Persevere In What We Have Resolved Before We Forget, 2013. Ponce de León, 2012. Austerity Measures, 2012. River Rites, 2011. Trypps #1-7, 2005-2010. Let Each One Go Where He May, 2009. Rock Me Amadeus by Falco via Kardinal by Otto Muehl, 2009. TjúbaTén / The Wet Season, 2008. Workers Leaving the Factory (Dubai), 2007. The Red and the Blue Gods, 2005. Last Days, 2004. The Ataraxians, 2004. Extra Terrestrial, 2004. The Tawny, 2003. Terra Incognita, 2002. the quarry, 2002. Daumë, 2000.
Igor et Ivan Buharov Ayahuasca, radio waves, paranormal phenomena…Here are some of the ingredients of this new work filmed in 8mm by the Buharov brothers – an unfettered fantasy. In...En savoir +
To celebrate its 80th anniversary, the Saumery psychiatric clinic is organising a conference on the theme of “traumatic intelligence”. “ While preparing for the party, patients and...En savoir +
Jorge Leon “February 2020, a man is giving his testimony. His words are being collected by an inspector, and unveil the implacable alienation which has been informing his lived experience...En savoir +
Alain Mazars The title says it all: the future articulated through the past. Filmed in 16mm, against the backdrop of ruins in brilliant light, a little mute boy and a little girl who doesn’t...En savoir +
Guillaume Lillo In the cars that pick him up as he hitchhikes, the voice of a young man we’ll never – or hardly – see, describes in detail the depression that brought him to the medical...En savoir +
Maïder Fortuné, Annie Mac Donell After Communicating Vessels (FID 2020) the artist-filmmaker duo Annie McDonell and Maïder Fortuné are back. Once again, the question is that of art, its...En savoir +
Maxime Martinot “One day, on the coasts of Morocco, some one hundred and fifty years ago, thousands of antelopes threw themselves into the sea.” Thus begins a two-page text from a...En savoir +
Anja Dornieden Juan David Gonzales Monroy Although aurochs, the ancestors of today’s cattle, died out in the 17th century, some people have tried to resurrect these legendary,...En savoir +
Clemente Castor A white drone moves through a corridor whose walls seem to be liquefying into a digital ooze. A metallic voice, perhaps that of the drone, questions the reality of what it sees....En savoir +
Lucas Camargo How could we forget the razor-sharp writing of O pequeno mal (FID 2018), directed with Nicolas Thomé Zetune, which explored the secret shortcomings of a relationship. The same...En savoir +
HA UMA PROFETA NA OLAIAS, TENHAM CUIDADO !