Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

Today, last talk of the Forum at 4pm (FID Lounge, 3rd floor of the Artplexe Canebière) and Tête-à-tête with Isabel Pagliai at 6pm (BLUM Brasserie).

For its 36th edition, FIDMarseille remains true to its mission: to spotlight independent cinema that is attentive to the echoes of the contemporary world and to the stories that reveal its fractures, both intimate and collective.

The Audience Award is open for voting until Sunday noon: among the competing films, choose your favorite!

To end this 36th edition on a high note, join us at the Petit Théâtre of La Friche la Belle de Mai from 10:30 p.m. - and until 4 a.m. - this Sunday for the Grand Closing Party!

Tu n’es pas comme les autres, YOU’RE NOT LIKE THE OTHERS

Emma Cambier

France, 2025, 6’

Synopsis

A woman sings as the pages of a family album are turned. With each turn, her voice begins to falter—catching on a face that recurs, ghost-like, in most of the photographs. The song, a nursery rhyme from 1990s Réunion Island, carries more than its melody. Through her voice, it tells the story of an island, a family, and perhaps, their vanishing.

Biography

Emma Cambier

Emma Cambier is an artist and writer. She holds a master’s degree in creative writing from La Cambre and is currently in her final year at the Beaux-Arts of Marseille. Her practice spans multiple media—including photography, video, sound, and performance — as a way to unfold her narratives. Blending autofiction and magical realism, her work revolves around recurring themes: the ambiguity of female desire, an animist relationship with nature, and the evocation of childhood. Her debut novel, Notre-Dame-des-Laves, is forthcoming from Gallimard in 2026. She has presented performative readings at the Actoral Festival, the Labo Démo at Espace Montévidéo, and more recently at Maison Poème in Brussels. Her films have been screened at Vidéodrome (Marseille) and Point Éphémère (Paris).

School: Fine Arts School of Marseille