Resumption of FIDMarseille in Izmir (Turkey)
March 29th to April 1st 2023
The Izmir Institut Français is organizing a second run of the 33rd edition of FIDMarseille in Izmir (Turkey) with a few of the selected films. This event which was originally planned for early March is now postponed, given the tragedies that are currently taking place in Turkey and Syria.
“The following is a story that is somewhat true, I present it as it happened, with adornment.” This phrase, which is the cornerstone of A Woman Escapes, by Audrey Benac is a twist on the famous...
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Marie Voignier In I Like Politics too, Marie Voignier continues her attentive exploration of countries where imaginary worlds, layers of history and present-day issues are intertwined - from...
En savoir +Liz, thirty-something, lives in her appartement in the Paris suburbs with her cat and her robot butler. Somewhere between a peaceful Golddorak and a protective creature from Studio Ghibli, with a...
En savoir +Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s...
En savoir +In late August, Léna, 25, arrives in Arles to meet up with Marius from a past holiday romance. He’s late. Whilst waiting for him, she meets Maurice, a seasonal baker, who introduces her to his...
En savoir +In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons...
En savoir +Saigon, summertime. A Japanese director is getting ready to shoot her movie when her lead actor disappears. You could summarise Chun Wang and Hikky Chen’s film like this, but there’s far more to...
En savoir +Hushed voices announce a girl’s death. Kneeling around the corpse, the teenage girls stare at her. Again, they whisper, chanting in unison “light as a feather, stiff as a board”, a magic...
En savoir +Thirty-five years after Keep in Touch, Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of Rear Window, but a New York version...
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